Drag and drop also works with Final Cut Pro X XML files. The files will be sorted so that media from the same device are on the same track. I was very curious to see if I could make the software trip over in this respect. You can drag and drop an entire folder of media into PluralEyes, and during a sync it should automatically detect which device the media came from. The new version has a “Smart Start” feature. The app in Premiere Pro offers the same colour coding capabilities as it does in the standalone version, so editors will know which clips, if any, require attention. There’s a sync button in the Premiere Pro Panel and PluralEyes will take care of the rest. The new version now integrates with Adobe Premiere Pro. Knowing Red Giant’s high product quality standards, I reckoned this couldn’t be too bad, but how good it would be was a question I needed to answer.īefore I go into details of how good or bad PluralEyes 4 is, let me first briefly go over the other improvements. The ones that I know of never perform as good as my own fiddling, so I was very interested to see how the PluralEyes “Nouveau Style” would do. I distrust fully automated apps for anything but simple tasks. The new PluralEyes analyses footage and automatically chooses the best options to sync your audio and video. PluralEyes 4 is easier than its predecessors, with most of its power fully automated. Red Giant’s PluralEyes synchronises video clips with separately recorded audio. Of all the included apps, PluralEyes 4 is the most important one and the only app to have received a major feature upgrade. Shooter Suite 13 includes Offload 1.x, PluralEyes 4, Instant 4K and Frames. The suite is targeted at offloading video from camera recording devices to your system as well as ingesting video into your NLE so that it is instantly usable.
#Pluraleyes 4 window not opening upgrade#
Shooter Suite 13 is the latest upgrade of Red Giant Software’s application bundle for video shooters.
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